Here’s a fun theoretical argument for you and your coworkers to have around the water cooler – which is smoother: the jazz track MJangles raps on top of in “To Infinity (A Way Home)” or his flow itself? Regardless of which side you fall on the track is smooth top to bottom, but Mjangles lyricism never gets lazy or complacent. Intricate rhyme structures appear throughout the track and work their way up to a double time sprint, like a drummer’s complex syncopated hi-hat work staying locked into the smoothness of the rest of the band while also dancing around it. The combination works really well and this track should have you easing into your work week on sexy sax tip while inspiring you to still bring that fire to your spreadsheets, Uber shift or whatever it is you have to tackle today.
Leave a Reply